Amongst all the excitement along the colourful streets of Birmingham, there is another success story of the city taking place during the Commonwealth Games. Wandering over to Oozells square and there is a public art display that has the power to match the other artistic events that are taking place. The IKON gallery features an exhibition of the work of three artists: Yhonnie Scarce, Salote Tawale and Osman Yousefzada. The work is diverse yet integrated and visual. They come together on subjects that cover different themes. Having my camera with me was a real bonus as each art installation offers opportunities for picture taking. The exhibits are on the first floor and all three have the necessary space which allows you to appreciate them. The first room I entered contained The Need Breeder (2002) by Australian Aboriginal Artist, Yhonnie Scarce. Suspended from the ceiling were 600 glass droplets each having different shades of opacity. The installation was mesmerising with the light falling on the different shapes allowing a range of interpretations. What they represent is the crystallisation of the Australia desert following British Nuclear tests in the fifties. Together the glass droplets represent a nuclear explosion. Each droplet represents the death from nuclear tests. Powerful, moving and relevant in this present political climate.
The next room had three video projections which spanned the room. The film that ran for around 9 minutes was put together by Osman Yousefyaza. Having met Osman at a Moseley Coffee house, I immediately felt a connection. Spaces of Transcendence (2022) is a film that was made in Pakistan and contains powerful moving images of rituals set against a captivating backdrop of the country. There were gestures and facial close ups that pulled me into the story without words. I found the throw of the cloth into the saucers containing colour water fascinating. The main characters in the film absorbed my intention. I can not work out if the film is on a loop as there was no introduction or end just a complete immersion in the imagery. I loved it.
It was nearly closing time at the IKON when I came into the room with the instillation by Salote Tamale called YOU, ME, ME, YOU. There were three TV screens as distinct to Osman’s work which was projected on much larger screens. A continuous video was playing that darted from one theme to another. There were underwater pictures and then scenes in a tropical jungle. It was a different but refreshing approach to the presentation by Osman in the previous room. Slowly my eyes took notice of the decoration of the room and the recurring pattern. After a while it was this that started to demand my attention. The repeating colourful pattern needed to be photographed as you will see.
The exhibition was excellent and I felt a sense of calm coming away from the IKON Gallery. The exhibition coincides the Birmingham 2022 games and there will be many people arriving into Birmingham from different places and cultures. The work of these three artists starts to unravel and re-ravel the different interactions of people around the world. Birmingham is privileged to be able to host this unique display of art at the IKON gallery.
My pictures of these artists work provide a simple snapshot of this moving visit and there is more information about each artist on the web.